Review: A Chorus Line At The New Theatre Cardiff
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A Chorus Line is at the New Theatre Cardiff until the 21st of September
A Chorus Line offers a glimpse into the high-stakes world of Broadway auditions. Directed by Nikolai Foster, the production follows seventeen dancers competing for a spot in the chorus of a new musical.
The story follows seventeen dancers as they audition for a spot in the chorus of a new Broadway show. Set on a minimalist stage, free from the typical Broadway glitz, the focus shifts to the characters’ personal stories and their emotional struggles. As the audition progresses, we witness their hopes and fears, knowing that only eight will be chosen, but each has much to reveal.
What makes A Chorus Line so interesting is the honesty of its characters. During the audition, the dancers are asked to share intimate details about their lives, giving the audience insight into their motivations and the personal battles they face. These aren’t just glimpses into their pasts, but heartfelt confessions that connect the audience with the struggles, triumphs, and sacrifices of each dancer.
At the center of this intense process is Zach, the director, played with authority and empathy by Adam Cooper. He dives deep into the lives of the dancers, trying to understand what drives them. Cooper brings a quiet depth to the role, making Zach both tough and compassionate, a man who wrestles with his own internal conflicts while making tough decisions.
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One of the standout performances comes from Carly Mercedes Dyer as Cassie, a former star returning to the chorus line. Cassie’s story of self-discovery is one of the most moving parts of the show. Dyer’s portrayal is both vulnerable and powerful, especially during her performance of "The Music and the Mirror," where she conveys the deep emotional cost of following one’s dreams.
Each of the dancers adds something unique to the production, creating a diverse and emotional tapestry of experiences. From fresh-faced newcomers to seasoned performers who’ve faced rejection, their stories are deeply personal yet universally relatable. Songs like "One," "I Hope I Get It," and "What I Did for Love" are emotional anchors that reveal the hopes, fears, and desires of each character.
The technical aspects of the production also deserve high praise. Grace Smart’s set design is simple yet effective, allowing the dancers’ stories to take center stage. Howard Hudson’s lighting heightens the mood, capturing both the intensity of the audition and the vulnerability of the dancers. Tom Marshall’s sound design brings Marvin Hamlisch’s unforgettable score to life, making each moment resonate.
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Costume designer Edd Lindley also plays a key role in telling the dancers' stories. The costumes reflect each character’s personality and background, while also highlighting the collective identity required in the world of the chorus line.
Through powerful performances, heartfelt storytelling, and stunning choreography, this production captures the essence of what it means to strive for something greater. For anyone who loves theatre or simply appreciates a moving story, this is a must-see.